Entry to the Canal Grande with the SS Maria della Salute basilic on the left (1732, FAI, Italy)

From the incidence of the light, students have suggested that this view depicts Venice at about 10 am in spring time, but Canaletto may have interpreted the light as he certainly interpreted some of the details of the buildings, most of which are nevertheless faithfully reproduced and still exist.

Impressive on the left, stands the church of SS Maria della Salute, a beautiful reminder of Venice's history. It is the accuracy of details (real and added) that most impresses the viewer, details that Canaletto did not disdain to add in his works so ensuring that his canvasses could be a potent reminder of the strength and beauty of Venice.

Viewers should perhaps note that our ceramics master takes up all of these details and actually enhances some even further. He maintains equilibrium and considering the difficulties he faces, keeps proportions very faithfully. This lamp is just a lovely reminder of Venice - to those who have been there -, and a spectacular present - for those who have not yet been.

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(C) Maioliche Originali Deruta (MOD) Autori: Manufacturing Quality for the Discerning Collector and Art Investor